NIGHTHAWKS

Sunday night, 10:20, The Last Mile Lounge. Tash Silva’s at the bar. Deano’s night off. Tash is keeping an eye on Jimmy Jammin, a chronic tipler. But Jimmy’s not drinking tonight. I heard him tell Tash he hasn’t had a drink in three months. No alcohol. He’s drinking ginger ale. He’s here for the company. He’s talking to Bill Kirner, a regular. Kenny Foy is here with a guy I haven’t seen before, sitting at a table near the front door. Two guys at the end of the bar, strangers, are playing Keno. We’re all kind of strangers tonight. There are only three booths, only one of them in occupied — by two women. I’ve seen them before. They work at concessions at the airport and stop in after work. They have beers. Athena, the real estate agent from Lowell is here. Strange, on a Sunday night. She’s drinking a Manhattan. I can see the brown water and the cherry. She’s with a guy, probably a date. I’ll bet they stopped in on their way back from a movie in Boston. She does that, comes here at odd times, likes it here for some reason, though not a big drinker. She had that little revelation several months back. Seemed to change her. (I wish I could change.) She suddenly lost her depression, which might be why she comes back here, the scene of the loss of something bad, like somebody flipped a switch in her head.

The juke box is working again. But tonight, it’s silence. Nobody’s touched it. Everybody is silent, no laughter, you can barely hear anybody talking. The TV over the bar is off.

Knox, the artist who lives upstairs is at a table in the middle of the room, drawing something on sheets of paper.

There are seven tables. But, as you know, this is a small place, the Last Mile.

I’m alone at a table by the side door. I’m not sure why I came by tonight. I’m drinking a cup of hot green tea. Yeah, I know. Strange. Tash made it for me. I’d been drinking ice water, believe it or not. I tip Tash, no matter what I drink. He says to me, handing me the cup, “good night for tea.”

The light is soft. They made that change in this place. No harsh lighting.

And I’m thinking. I’m meditating, really. I’ve stepped out the side door, looking down the street toward the beach. I hear the wind. The jet goes over headed for Logan. I hear a siren, then – silence.

I need this silence. I need a moment to look at the windows of houses, soft rectangles of light, some dark. The street wet. There has been savage weather in the nation but here along the coast –just a damp, shining street.

And I’m thinking, meditating, trying to think. Getting a little chilly, I go back inside. My jacket is over the chair. No one will join me. Everybody wants to be unjoined tonight, except maybe Jim and Bill at the bar — and they aren’t talking anymore. Tash is reading a magazine, leaning up against the wall behind the bar.

Knox, the artist, looks up for a second, looks at me, smiles. We talk from time to time. He looks around then. I wonder — is he drawing this scene? Will he paint it later? Make it permanent.

The wet, shining, empty street. He can paint that if he looks out there…but in here, this is the painting. Paint the silence. Paint the light, the people…but make us see the silence.

I hear a breeze out there. A wind off the ocean. It grips the place.

I am full of fear, worry, why? Nothing to worry about. Or — so much to worry about but, why worry?

I look at my watch. It is now 10:37 p.m. And then I remember: The old clock over the old phone booth in the corner stopped at 10:37, either a.m or p.m., on some lost day in some lost month many lost years ago here at The Last Mile.

I stare at it, at stopped time, which is now exactly this time — stopped. I hear the damp wind.

The old bar glass of ice water is still on the table before me with the tea cup. The ice is mostly melted. It’s just a still, clear, half-full beeker of chrystal brightness now. I sip the hot green tea.

A Sunday night in silence. The tea is still steaming.

In stopped time. Steam and still water and memories —

before and all about me.

I half dream. For a full minute, I am fully — at peace.

THE GREAT SCATTERING

Why, oh why this bizarre reign of what we’ve come to call “identity politics”?

Damned if I know, if, that is, I confine my thoughts to those thoughts I can just peel off the top of my agitated head. Go deeper, like one diving with full oxygen into a murky lagoon, and –why, there you find a tangled subaqueous plethora of reasons why a reasonable race of bipods such as we are should find ourselves so messed up.

I’m helped –after being launched upon — this deep dive by writer Mary Eberstadt whose 2019 book Primal Screams (plural) explores our penchant for dividing along racial lines and other related common contemporary phenomena such as the insane excesses of modern political correctness, frequent compus demonstrations over every perceived injustice and what has been called the “cancel culture” in which, at the whim of some influencer, you or I can be discredited and banished from public discourse. Throw in radical feminism, gender-bending ideology, the excesses of the Me Too movement and all manner of unhinged activism.

I confess that Eberstadt’s book is on a heap of unread books on my library wish list. I just happened to stumble upon an old review. Therefore, I’ve read excerpts in that review that assure me the author’s analysis is free of rancor or any diatribe against “cultural Marxism.” It feels like a good book for the times.

She maintians our current state of affairs is not all about “power” — a charge I often level against the activists. She claims all such contemporary social-justice rebellions, now so tiresome to so many of us, amount to a “survival strategy” for the alienated. (Come to think of it, I, too, in my vigorous push-back against it all might also be engaging in such a strategy. I’m feeling alienated, too.)

“Such phenomena are indeed bizarre,” she writes, “if we examine them with the instruments of Aristotelian logic. But if instead we understand them against the existential reality of today –one in which the human family has imploded, and in which many people, no matter how privileged otherwise, have been deprived of the most elementary human connections –we can grasp in full why identity politics is the headline that just won’t go away.”

Eberstadt calls this process “the Great Scattering.” Because so many people below a certain age no longer enjoy a traditional family. They are, indeed, scattered.

Her first salient point: there has been a breakdown of family and familial bonds — our “natural habitat.” What is the connection between blood and personal identity? Haven’t we all become disoriented in search of intimacy — and personal identity? The human animal is now a flock of sheep without a shepherd. We now place more emphasis than did our ancestors on voluntary associations rather than on our once far more solid family environment. Feel free to challenge all these assertions. By themselves, they can feel gratuitious.

That’s why we should read books not reviews. But Eberstadt’s conclusions were there for me to ponder, such as that a healthy sense of self, and our moral maturation, among other essential developmental stages, have not only been delayed; they have, in many cases, been entirely stunted in the individual. I encounter a fair number of colleg-age students who seem to be crying out for protection from, rather than exposure to life.

So, we must ask, who are we? Who are people who will protect us? What is our “family”?

Eberstadt goes further, and here no doubt she rankles modern sensibilities with a thesis that is truly politically incorrect: she blames the sexual revolution for the advent of identity politics.

How? Why?

Well, ask yourself what has been the impact of the sexual revolution on marriage, family life, romance as reflected in everything from modern anthropology to popular culture? She does not write or speak here in religious terms. This is not an evangelical screed. Not, at least, so far as I can tell from the aggregate of quoted passages, though I know Mary Eberstadt to be Christian religious and so her thinking on all matters will doubtless reflect that, however subtly.

Nonetheless, consider how the pervasive use of artificial contraception, so essential, as is abortion, to the sexual revolution, has released us from consequences, led to mutual objectification between the sexes. A popular series such as “Sex in the City” reflects that, not without an entertaining level of self-analysis. I only chanced to watch one episode in which one comically sex-obessed female character blurts out, “I hate religion. It f**ks up your sex life.”

And nowadays, one wonders if it isn’t only the religious — and specifically the Catholic religious — who abstain from the dartificial regulation of birth. And far from all of them, or even, maybe, most of them. I guess that’s what’s called Modern Love.

But….

Biology once pushed us toward marriage and family life, even if it was a less than perfect family life. Traditional sexual mores imposed restraints. And we have viewed the casting off of those restraints as liberating. We were free! But — free of what? And for what? Chronic anxiety, crushing loneliness — at least in some cases. Or so Eberstadt believes, as do I. I see it in Generations X, Y and Z –and, to some extention, in us Baby Boomers who first cast off the yoke of convention in the 60s.

We’ve come to place a high priority on individual freedom and autonomy over against the maintaining of the integrity of the traditonal family in an ordered social whole.

And (laughing) I say, Yow!!…

I’ve suddenly begun to think of those Progressive Insurance TV commercials — so funny I make a point of watching them — dramatizing mock classes in which youngish people are instructed how not to turn into their parents. Yes, very funny. Of course, those amounts to only gentle raillery against superficial life habits –and, of course, insurance-buying practices — of superanuated adults; not to those deeper, more serious ways in which we might profitably emulate those who nurtured and raised us.

But I’ll challenge my own thesis here — and wonder if it isn’t, in our modern world, far more appropriate for children to explore their own talents and interests, search on their own terms for a spouse and occupation and a social situation suitable to them personally.

I’ll also ask if that can lead to true human flourishing unlinked from deep families ties and identities.

As for the impact on personal identities, destinies, attitudes and human outcomes of the sexual revolution — I know the Genie is not going back in the bottle. But I will always maintain that this particular revolt against our biology and ( I believe) human emotional reality has set us on a dark, unknown moral and spiritual path that may one day erupt in an entirely unforseen counter-revolution short of a reversion to Puritanism. The Genie will climb voluntarily back in the bottle. The so-called hook-up cultural, among other negative outcomes, unquestionably led to the course correction of the Me Too movement.

Perhaps human intimate and familial relations will ever hence exist suspended in a kind of utilitarian, humanistic malaise altered only by these new non-family, racial associations and identities –until the end of time.

Whatever.

Meanwhiile, you might want to explore these question, no matter where you fall on the political spectrum. You might even want to read this book, even if you disagree with its conclusions — just for the vital questions it raises.