We lay on our backs about two feet apart in silence, our eyes open, listening. The land that was under us lay down all around us and its continuance was enormous as if we were chips or matches floated, holding their own by their very minuteness, at a great distance out upon the surface of a tenderly laboring sea. The sky was even larger.
–James Agee, Let Us Now Praise Famous Men
If you ever want to attempt to read a beautiful but prolonged and exasperatingly complex, minutely detailed, verbally rococo work of human sociology — poetically rendered — pick up the above-cited volume by a man who during his brief life was, indeed, a poet, novelist, screenwriter, movie critic and, briefly, a very unusual journalist. This particular book grew out of a Depression-era Fortune magazine assignment to write about poverty-stricken families of Alabama tenant farmers. Agee never really finished the assignment — or, perhaps finished it, but had it rejected by his editors though it would be preserved and enormously expanded by the author. The story of how it came to exist is doubtless told in two Agee biographies that I’ve been totting around and aspiring to read. Continue reading “AN AGEE MOMENT”