Last day of March, 2020. Middle of a pandemic. Trying to comprehend such an enormous thing — and such an enormity — as watching the only planet we know, and all of us who inhabit it, be menaced, from West Bengal to Time Square and everywhere in between, by a potentially deadly pathogen, something bascially as UNhuman as a coiling, twisting vine multiplying and creeping up a wall.
It is giving us all time to think, and remember — especially if you’ve been on this planet for nearly three quarters of a century, like me.
And what do I do? I stay confined — though tending to a sick companion; sick not with the dreaded virus but with an inexplicably debilitating leg pain that has put her on a borrowed set of crutches following a painful trip to a clinic for an ultrasound and MRI.
And, with no “hook” to make it relevant, I suddenly scour the archives of my memory during this enforced leisure — and my letter file — and discover that I wrote a very accomplished composer some months back after chancing to see his credit at the end of the television series Biography. He wrote the music for that and, apparently, much, much more — and is a well-known composer of experimental and symphonic music as well. Continue reading “A TOKYO MEMORY”